【国旗下讲话】为何春晚小品没有那么出彩了
老师们、同学们：早上好！
我是初二8班的王子杰。今天我讲话的主题是：为何春晚小品没有那么出彩了。
我以为，小品节目是每年CCTV春节联欢晚会最大的亮点之一，也是最吸引我的节目。回首前几届春晚小品，无论是1984年《吃面条》的惊艳亮相，1989年搞笑而又不失讽刺意味的《招聘》，再到1994年发人深省的《打扑克》，无一不被称作经典中的经典。可如今春晚的《初见照相馆》却有着些许的不尽人意，不禁让人好奇春晚小品为何会越来越乏味。
我认为原因有二。其一，抒情，或者说煽情部分太多，失去了真正让人欢笑的地方。或许许多人认为，这只是春晚导演个人因素所致，但我认为，这是由于当今社会上一些家长所致。大家是否有过这样的经历，当你在看一个综艺节目笑得前仰后合时，家长却会说：“看这种无营养的节目纯粹是浪费时间，你学不到任何东西。”有些家长甚至会去网络上吐槽，因此，春晚小品导演也不得不在原本纯粹的搞笑中加一些抒情和大道理，结果就显得生硬。与其说是导演想要借正能量来提高收视度，还不如说是导演为了迎合一些家长的胃口，编出那所谓意义非凡的具有教育意义的小品。
其二，小品格局越来越小。1988年的春晚小品《相亲》对还没有伴侣的人采取的是同情态度，阐述了“只要遇到对的人，等多久都不晚”的观点，而2021年的春晚小品《每逢佳节必催婚》却是讽刺还没有伴侣的人是“单身狗”，抛出了“到了年纪不结婚，过年也不配开心”的论调，直至到“结婚要是不好，人能结三回”的滥调。该小品还对伴侣选择提出苛刻要求，嘲笑身体过重者。这些或许也是大家越来越不喜欢春晚小品的重要原因之一吧。
在此，我只是谈了其中的两个原因，可能还有更多其他原因。我就不多说。
我们期望春晚小品能少一些尴尬的抒情，多一些纯粹的快乐，让我们在这短暂的假期中能真正感受到放松、愉悦。同时，我们也应该放下手机，好好看看春晚，好好珍惜这与家人在一起的美好的时光。
在这里，我们也祝初三同学能在中考中稳扎稳打，最终顶峰相见，取得新颖的成绩。我的讲话到此，谢谢大家。
Good morning, dear teachers and fellow students!
I’m Wang Yibo from class 8 Grade 8.
The theme of our speech today is why the Spring Festival gala show becomes more and more boring.
The skits used to be one of the most interesting parts in the Spring Festiva Gala Show and it’s also my favorite. Looking back on the shows in the past, there are no lack of classic sketches. For instance, Eating Noodles in 1984 amazed the audience greatly. The Recruitment in 1989, was not only funny but also ironic. And Playing Poker in 1994, was quite thought-provoking. However, the skit this year, the First Meeting at Photo Studio, was far from satisfactory. Many of us may be confused why the sketches has fallen from bad to worse.
We think there are two reasons.
First, there are too many lyrical parts, and too few funny scenes to make people laugh. Many people tend to blame the director of the gala for this change, but I think it is caused by some parents in today's society. Have you ever had such an experience? When you watch a variety show, you laugh back and forth, but your parents may say, "Watching this kind of nonsense is a waste of time, and you can't learn anything." Some parents even complain about it on the Internet. Therefore, in order to make the sketches meaningful and educational, a lot of preaching is added into the comedy, making it rather stiff and boring. It is not so much that the director wants to use positive values to improve the audience ratings, but rather to cater to the appetite of parents.
Second, the attitudes and values conveyed in the latest sketches seem to be less positive. In the 1988 Spring Festival Gala sketch "Dating", took a sympathetic attitude towards people who have not yet had a partner and believed that "it’s never too late to wait for the right person". However, in the 2021 sketch "Pushed to Get Married Every Holiday", people who are still single were laughingly called "pathetic lonely dogs". They also proposed that "when you get old and remain single, you don’t deserve a happy Spring Festival", and even boasted that "if the marriage is bad, you can remarry as many times as you want", and they also put forward strict requirements on choosing partners and laughed at the fat people. This may also be one of the reasons why the Spring Festival Gala sketches are losing popularity.
So far, we have only discussed two of the reasons, and there may be more.
Now, we only hope that there will be fewer lyrical scenes and more funny moments in the Spring Festival Gala sketch. Only in this way can we really feel relaxed and happy in this rather short holiday. Meanwhile, we should also put down our mobile phones, try to enjoy the Spring Festival Gala, and cherish the good time with our family.
In the end, we wish that all the junior 3 students can have a good result in the coming Senior High School Entrance Examination. That’s all for our speech.
Thank you for listening.
